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Create your own rubber stamp designs
and texture plates
for use
with polymer clay, fabric or paper!
Ready-Stamps is a community-based
business of
United Cerebral Palsy Association of San Diego,
promoting the independence of disabled persons through training and employment.
We appreciate your continued support.

From left to right on the photo:
Erik Meier, Debbie Thomas, Molly McIntyre, Kevin Dang, Greg Jackson, Janice
Johnson, & Denise Lala
10405 San Diego Mission Rd., Suite 103
San Diego CA 92108
619-282-8790 ----toll free call 877-267-4341
for more information, email Ready Stamps
at:
readystamps@ucpsd.org
and visit their official UCP site at: www.readystamps.com
The Cerebral Palsy Foundation has a sheltered
workshop division called Ready-Stamps that makes rubber stamps--the stamps
you can order from most printers are made by this group. You can get uncut
sheets of rubber stamps, made to your original designs, or with copyright-free
designs.
IF YOU SPECIFICALLY ASK you can
also get the plate and matrix board with which it was made.
I find that the matrix trays are my favorite tools
of all that I've used with polymer
clay, and I use them more than the rubber stamps--although those are great
too! Using rubber stamps with polymer clay is a wonderful way to add interesting
design elements, either by making an impression, or by using the stamps
to apply inks, powders, or paints. My books "Create
A Polymer Clay Impression" and "Celebrations With Polymer Clay" focus on
the wide range of uses for polymer clay and rubber stamps, and feature
stamps made at Ready-Stamps. You can see there use in textures all over this
web site, including the navigation buttons and the art in the banner at the
top of each page.
Here's how it
works:
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Print:
You start with the artwork.
You can use original drawings in pen and ink, computer graphic printouts,
(the example on this page is a type font called "Fleurons"
manipulated with a simple graphics program) or photocopies--this allows you
to play with scale as well. Reducing designs can make quite a difference.
If you are able to use a computer, you have access to a overwhelming
amount of choices in fonts, images that are copyright free, and their potential
variations in use! Click here to
view a special page on using dingbat
fonts like "Fleurons" and hundreds others.
You can do your company name, your logo, a signature; or you can use
designs from clip art sources and from hundreds of amazing books such as
the Dover Pictorial Archive Series.
Dover allows artists to use up to ten designs from this series in a single
project without having to seek further permission.
DO NOT try to use copyright protected
material that is not of your own design.
This includes cartoon characters and the likenesses of famous people or
characters. If you WONDER if you have permission to use images--then its
likely you don't unless the images are drawn by you, are from copyright free
sources, or you have permission from the designer in writing.
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Transparency: When Ready Stamps
receives your order, they first create a black and white transparency,
similar to those used with overhead projectors.
It is a negative print of the artwork that is sent for use. Everything
that WAS black is now transparent.
This plastic sheet is used to form the acrylic plate.
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Plate:
This is a yellow acrylic replica of your 9 inch
by 7 inch black and white artwork, with a raised surface like the rubber
stamp, but hard.
It is used to create the next matrix, but is also good to use to press
into polymer clay for indented patterns. It can be brittle, and cracks
easily, but still can be useful!
It tends to become curled up and even more brittle if exposed to sunlight,
so I keep mine in a drawer.
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Matrix:
This is a brown polymer board, with indented designs. The rubber is poured
into this tray and then vulcanized.
The matrix is absolutely wonderful as a plate of
molds
for polymer clay work. Its is one of my favorite and most used tools.
You can press clay into the design, (powdering the matrix with
talcum powder applied with a brush or a ponce bag a bit first helps) and
remove the design element--trim rough edges with a blade, and apply to
other clay as "trim" or "molding". You can mimic
filigree this way.
Or you can use them as
backgrounds and appliqué elements. Beads
can be rolled along the matrix to impress the design, and staining after
baking makes for some beautiful faux finish effects.
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Look at it this way--the
matrix is the "in-ny" version of your designs, and the plate
and the rubber are the "out-ies".
Rubber:
The final product at Ready-Stamps
is the rubber. This is sent to you in the uncut sheet, and you can cut
and mount it if you choose to do so. The rubber sheets can be cut
with scissors around the design elements if desired, and then mounted with
rubber cement or double sided tape to blocks of wood, foam board, or baked
clay handles. You can also cut it into sheets that can be rolled
along with the clay through a pasta machine!
DO NOT bake or
heat the rubber. Store your rubber out of
the sunlight and away from heat sources. You can also order more than one
sheet of rubber made from your designs if you wish, although there is a
small additional charge.
Mica powders such as Pearl-Ex pigments can be used to highlight raised
areas while the clay is still raw. Mica shift effects using either the
matrix or the stamps with mica bearing clays create an almost holographic
look.
Acrylic or heat set oil paints can be use to fill in baked areas
for a faux enamel effect, or fill with soft clay and re-bake for an inlaid
effect. Donna Kato's "brocade" technique uses acrylic paints
filling the indented patterns in a sheet of clay, which is then rolled
flat after drying. The indentations can be left raised for a faux enamel
look. Shown here, it is mixed with slices of flower canes.
The results look very rich and detailed, as do silk
screened
patterns using the same designs on Photo-EZ sheets. Rubber stamps and silk
screens
together can be used on fabric, paper, polymer clay, acrylic beads and
more. The stamps can be used as texture sheets when using Shiva Paint Sticks
on textiles and polymer clay both to create wearable
art fabric and matching buttons
and jewelry!
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Here are a few tips for best results.
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Start with a 9"x7" rectangle on a sheet of clean white
paper or card stock
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Use cut out drawn or photocopied images, and arrange them inside the
rectangle with room between the design elements so that they can be cut
apart in the rubber form but don't leave a lot of white showing--add
more designs! Fit in as many as you can and you will see what an amazingly
economical set of tools you will be getting. Scans and printouts can be
used to finalize the set of designs desired and eliminate any "paper
cut lines" that may be showing from the pasted images.
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Try cutting squares or strips of images with interesting "texture"
patterns.
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Use images with clear detail and sharp contrast. You want to use Black
and White, not Gray scale.
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Avoid hair thin lines and very large dark areas.
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Paste into place (I use a glue stick). Arrange the pieces so that juxtapositions
of images next to each other can also be used--they can form interesting
patchwork style pieces.
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When mailing, sandwich artwork between 2 sheets of cardboard so it
doesn't wrinkle or smudge--
every mark is reproduced when the stamps are made!
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Send artwork along with $32.00 (plus $5.00 shipping/handling)
for EACH 9"x7" sheet of artwork .
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Remember to specify PLATE, MATRIX, and RUBBER and TRANSPARENCY
when you order--some people don't use all four but they are wonderful tools
for making texture and pattern in pressed paper or polymer clay.
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NEW TIP!!
Use the black and white transparencies to create silk screen stencils
with PHOTO-EZ
screen print sheets.
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Remember that the black images shown on your original artwork will
be the same thing that is printed by the stamps--so there's no need to
reverse words when ordering.
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Click here to go to a Ready
Stamps order form you can print out.

All rights
are held by the artist
Copyright©1995-2010 Sarajane Helm
Reproduction without permission is
a violation of copyright law

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