Welcome to Sarajane’s Polyclay Gallery!
Here you will find all sorts of artistic eye candy, information, projects and tutorials about polymer clay, ceramics, metal, graphic arts, textiles and many other media. This is the blog page with all the news, and there are many pages listed in the drop down menu above. Please do explore!
I love computer design programs and the computer-driven tools like the laser cutter. But when it comes right down to it, I’m a visual-tactile learner. I need to see the real thing, not just an image on the computer screen. For one thing, my ability to tell what size something is on a screen is not good, because I can make it ANY size there–I need to see how it fits in my hand, or looks on the printed page before I can really settle the critical designs questions like How Big and Which Side Up. That issue of scale translates to more than just the outer edge–does the decorative element read well at the scale I’ve chosen? Do I want the design engraved, or engraved around it…or both? Outlines, or do they crowd the image?
Then, when making components for mosiacs and for jewelry, there is the issue of holes. One at the top, now that I have designated which is the top? Top and bottom both? No holes at all? Two in the middle as a button? So many choices! I can make a good guess, but I won’t really know until I see them and hold them in hand. Thats why I run the first batch on blonde birchwood, with no color distractions. That comes later!
I try the design, the inverted design, with and without outlines. Then I play a bit with the results. Too big is usually quite obvious, and so far too small has not been an issue as I often start around an inch or two. Anything bigger is likely too big for an earring part (I know, there are people who disagree!!) I see which designs and which versions I prefer. Are the holes in the right place(s) and not too far or too close to an edge? Are the cut and etch settings right for the laser? This part can take a lot of trial-lighter, darker, till I find just-right. After that I try them in colorized versions.
Shown above are traditional mehndi design elements, drawn in henna on skin for temporary tattoos for centuries in several cultures. I’ve taken those designs into computerized vector form, and cut them with a laser beam on wood. I LOVE the blend of art, history and science.
I use sales and reactions from others as research and inspiration. If there’s a design I’m not that found of but others do like, I keep making it, but eventually I put the best of them into design sets that I can run. Then, I try some more!
Shown here and at top are some Egyptian and African design elements. I don’t have these new files just right yet, but I will keep working on it. Half the fun is getting there.
Doesn’t everybody need at least one crown? I think I’d like a whole shelf of them, so as to choose what I’d like to be for the day. Princess, Faery, Empress, Beauty Queen? Ruler of the Quantiversal Realms, perhaps… There is an old quote about “Every man, a King in his own Castle”. So go for it!
I like making crowns and tiaras with a wire base, then adding beads, flowers, ribbons…more beads…Sometimes I use the laser cutter to easily and quickly cut watercolor paper into flowers and leaves. Sometimes I ct them from metal and file each one before adding it to a crown. Of course, these take a while longer to create!
Join me for a crown making class at Tinkermill in Longmont CO March 29, 11am-3pm
The same cold water, fiber reactive dyes from Dharma Trading Co. that I have long used for dyeing textiles also dyes wood. Above you can see some 1/8 in. maple slices. I love the way the color accentuates the grain. At right are 1/8″ birch plywood samples. The tiles shown in the ring were cut and decorated before dyeing.
We’ve been too busy the last few years to do our Annual Dyeing Days, but this year we just might. We’ll see how the weather and circumstances develop! Till then, it was lovely to get a good strong dose of color. This test batch of wood was a much smaller event, held indoors at TinkerMill with just three of us, some wood samples, and half a dozen small buckets. Next up comes experiments with topical applications of color as well as immersion, and adding sealers like modge podge, polyurethane and epoxy resin. Inlays are like ahead as well!
The pendants shown here are a small part of my new line of wooden components, available just in time for Spring and Summer! I’m busy testing different wood and putting together 24 designs that work well with this technique, and I’m ready to do some production time next week. Look for these to be available in my etsy shop and through Facebook groups before the end of the month.