Welcome to Sarajane’s Polyclay Gallery!
Here you will find all sorts of artistic eye candy, information, projects and tutorials about polymer clay, ceramics, metal, graphic arts, textiles and many other media. This is the blog page with all the news, and there are many pages listed in the drop down menu above. Please do explore!
I’m learning to use new software and new tools along with those honed for a while now, and the new crop this year includes Inkscape design software that is a lot like Illustrator but lots of CAD stuff in there I’m not familiar with yet.
Combined with the software that runs the 80 watt laser cutting machine, I have now successfully cobbled up some shapes into templates that I cut out of matt board as a test run. These templates will help me cut out flowers in metal.
AND I can now cut my designs out of paper, matt board, leather, acrylic and wood, among other stuff. This cutting edge tool opens up a whole new world of possibilities for me, design and display-wise, so do check back soon to see what becomes of it all!
I’m learning my way around Tinkermill in Longmont. There’s a great deal TO learn there–lots of machines, materials, and creative knowledgeable people. I’m happy to be one of them, and to now be starting to offer classes there. How to use the MeetUp service to book classes is just one part of the learning curve.
My first offering there is a class in making findings and components for jewelry using sheet metal, wire, and simple tools.
After I finish a bit more work on my classes page, I’ll also be putting up classes in Intro to Polymer Clay and Millefiore, as well as Business of Art Classes. Its a great start to a year full of new things. Please join me!
I’ve often referred to myself as a mad scientist with art supplies, and that certainly is true lately. For several years now I’ve been doing a series of experiments with color on metal using alcohol inks, chemical patinas, heat, and more. Now I’m sharing the info and insights in classes–and here in this blog!
I will be holding classes at Tinkermill in Longmont, Colorado, and Gahanna Bead Studio in Gahanna, Ohio. I’m booking the times this week for Spring, and getting ready with samples and handouts.
Color on Metal Part One will cover alcohol inks on brass or copper, exploring a great number of decorative techniques while Color on Metal Part Two uses chemical patinas and heat to create color on brass, bronze, copper and nickle silver.
In the course of preparing samples, I cut up sheets of 24 gauge brass and copper into 3 inch squares.
It is a good thickness for making pendants and earrings, and lightweight cuff bracelets. Not too thick for hand cutting and punching, it is a good weight for experimenting.
Not so thick that it is hard to work with hand cutters and punches, and not so lightweight that I can’t use the pieces for jewelry if experiments go well!
Some squares I left at that size, some I cut into 1×3 inch strips and some into 1 inch squares. Some of those were plain, and some etched, and I used them first to create some test squares. I tried one drop, then another drop further over, of all the colors of Ranger Adirondack Alcohol inks that I had on hand. Then I borrowed more from my friend…then bought a few colors I HAD to have like indigo and citrus, and the blender as well. I tried the blender and alcohol both, and both are good in different ways. I decided after experimenting with my friend’s bottle that I needed some too.
I like how the inks turned out with more subtle tones on the etched squares. As I go, I pose questions, how do sealants affect it? Does color rub off after the sealant is applied? (no) and does it flake off if cut or filed or bent? (also no.)
So don’t do that–although, I decided I like the distressed look. Lets call it “scrafitto” and say we meant to do that.
I used a square to try a different wire wrapping technique and like it.I may do a few more, and I will subject some to other tests–do check back to see what all I discover!
Last year I bought a small disc cutter set for metal, and a Euro-tool hole punch in 5 sizes for metal also. In addition, I have an even smaller euro-tool punch that fits my 20 an 22 gauge wire very nicely. I’ve used the disc cutters at school, but now that I’ve graduated, I needed my own! You can see the largest and smallest of the hole punch sizes, and all of the disc sizes here.
And yes, of COURSE I save the tiny punched holes–my own metal glitter! I could solder them to metal…or bake them in polymer clay…trap them in resin; lots of potential there!
Today I got things out and made sure they all worked–they do–and now I’m ready to try them on some of the colored metal I’ve been working on as well as the etched metal. Then it’s time to put together a new batch of earrings and pendants. I’ve got about 200 pair cut out and there’s a lot of filing to be done still, and then the wire wrapping. I’m also making samples for upcoming etching, color on metal and metal flower classes.
The flower pieces are shown here for two sets of etched and colored copper, and they still need to be hit in the dapping block to give them some curvature. Stay tuned to see how they turn out in the next couple of weeks.
I’m getting ready for new classes for textiles, polymer clay, and metals in 2016. Right now I’m creating samples for the Color On Metals class, which will go over inks, chemical patinas, heat patinas, gilders paste, and more. I’ve got 6 techniques just for the inks so far—and lots more to come. Getting things pulled together to share with other instructionally always takes time…but I’m putting together the new jewelry line for spring at the same time, so its a great way to while away the winter hours.