There
are all sorts of canes; simple geometric shapes or very complex ones. Canes that
look like people, animals, landscapes, or even entire scenes can be made.
The wide range of prints found in textiles is easy to recreate in polymer clay.
These canes can be used in many ways, including as components in building very
intricate canes.
Any simple cane
can be cut apart and recombined to create the kind of repeats found in textiles.
Square repeat canes allow for easy creation of smaller scale staggered designs
and can be cut and placed on a backing to form sheets of clay "fabric"
that can then be used in many ways.
Start with
enough of a strongly graphic cane, and you can recombine it in many ways.
Reducing the image changes things quite a bit! So does adding quartered segments
from another cane at the corners, or packing with a color different from the
background. Always try to cut a length to keep from each section before you
change it drastically, and then you will have a selection of different scales
and styles.
Lace
Canes can be made using any simple or complex pattern while restricting the
color choices to white, off white, and translucent.
Premo
translucent with bleach, also know as Premo "Frost", darkens the least
of the translucent clays, and is very effective in this kind of usage. Leigh
Ross made the lace canes shown here in this image
It can also be
used as background in floral canes, and when sliced very thin and applied, both
lace canes and floral canes made with translucent make use of an optical
illusion. The translucent quietly disappears from view, allowing a layered or
dimensional floating effect. Also, when pieces made using canes with translucent
clay are sanded and buffed, they have a very glassy appearance with no glaze
needed.

When
formed into triangle and square components, random colorful designs can be
recombined to form more regular mirrored repeats.
Clay can also be
placed in gradated stacks, cut and reformed for intricate geometric shaded
effects.
Kaleidoscope
canes are also made in this manner, by taking segments of the cane and mirroring
the pieces, sometimes many times over.
Below are some
canes made by Shane Smith that use these kind of repeated and mirrored segments.


Even very
elaborate and detailed canes are built using some simply shaped pieces. When
polymer clay is rolled out like a rope or a snake, the cut off end is round, as
shown at left in the picture above. One edge can be pinched along the top to create a teardrop or
petal shape. Pinching the clay into triangular or rectangular shapes is easy
too. You can use a roller or brayer to flatten the sides on rectangles as well.
Sheets or "tongues" of clay can be rolled out to even thickness best
by using a pasta machine, which allows you to make at least many different
thickness settings that are all even, but you can also use an acrylic roller or
a brayer. Flat sheets are used to make stripes, checkerboards, jellyrolls
(spirals), bulls-eyes (concentric circles) or to outline other shapes.
No matter what
kind of canes you may want to make, it is important to use clay colors that are
of similar consistency. If you try to mix very hard and very soft clays in one
cane, the soft clay will reduce while the hard clay does not, or not as fast.
This results in distortions. You want clays to all move together evenly while
reducing.
To make a floral
cane, you will usually need a center, petals, and perhaps a leaf or two. Centers
can be a simple snake or bulls-eye, or a grouping of them; spirals (jellyrolls)
make great centers for roses. Petals can be fat and rounded, long and
thin, in single rows or layers!